Etiquetas
andrew lloyd webber, bad cinderella, carrie hope fletcher, cats, cinderella, comedy, david zippel, disney, evil stepmother, fantasy, gabriela tylesova, georgina castle, georgina onuorah, gillian lynne theatre, gloria swanson, godmother, grimm, i know i have a heart because you broke it, ivano turco, jellicle ball, joan collins, laura baldwin, lloyd webber theatres, musical, musical theatre, musicals, new london theatre, perrault, really useful group, rogers and hammerstein, romance, romantic comedy, stepmother, victoria hamilton barrit

Andrew Lloyd Webber’s newest creation returned to the stage last month after a 6-week hiatus. Based on the classic fairy tale, the musical swirls the well-known story around with a comical modernised approach. Guillermo Názara reviews the reworked version of British composer’s latest gamble, to let us know if magic finally happened onstage.
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