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Archivos de etiqueta: comedy

New London production of ‘Grease’ releases Jason Donovan pictures as ‘Teen Angel’

15 miércoles Jun 2022

Posted by guillermonazarareverter in English contents

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Etiquetas

80s, arlene phillips, broadway, chicago, comedy, damon gould, dan pratridge, dominion theatre, eloise davies, grease, Greased Lightnin’, hicago, Hopelessly Devoted To You, jake reynolds, jason donovan, jocata almgill, john travolta, jsessica croll, lizzy rose esin kelly, london, mary moore, nikolai foester, olivia moore, olivia newton jones, paul french, peter andre, richard gere, summer nights, teen angel, west end

The Australian singer and performer will join the production by the end of the month, playing the character at certain performances for a limited 6-week run. Directed by Nikolai Foster, the show features some of the best-known songs in musical theatre history and has been an audience fave since its original run back in 1971.

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La nueva producción londinense de ‘Grease’ lanza fotos de Jason Donovan como ‘Teen Angel’

15 miércoles Jun 2022

Posted by guillermonazarareverter in Actualidad

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Etiquetas

80s, arlene phillips, broadway, chicago, comedy, damon gould, dan pratridge, dominion theatre, eloise davies, grease, Greased Lightnin’, hicago, Hopelessly Devoted To You, jake reynolds, jason donovan, jocata almgill, john travolta, jsessica croll, lizzy rose esin kelly, london, mary moore, nikolai foester, olivia moore, olivia newton jones, paul french, peter andre, richard gere, summer nights, teen angel, west end

El cantante e intérprete australiano se unirá a la producción a finales de mes, interpretando el personaje en determinadas funciones durante un periodo limitado de 6 semanas. Dirigido por Nikolai Foster, el espectáculo cuenta con algunas de las canciones más conocidas de la historia del teatro musical y ha sido un favorito del público desde su estreno en 1971.

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Review of ‘Juniper and Jules’: «A familiar story»

18 miércoles May 2022

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Etiquetas

blackbox theatre, comedy, drama, gay, juniper and jules, lgbt, soho, soho theatre, west end

For a strictly limited two-week run, this new play has been staying at the heart of London’s Soho to offer a new exploration on queer identities. Guillermo Názara shares his thoughts about this production, previously performed at the Vaul Festival in 2019, where it was granted the Show of the Week Award.

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Crítica de ‘Juniper and Jules’: «Una historia familiar»

18 miércoles May 2022

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Etiquetas

blackbox theatre, comedy, drama, gay, juniper and jules, lgbt, soho, soho theatre, west end

Durante una temporada estrictamente limitada de dos semanas, esta nueva obra se ha quedado en el corazón del Soho londinense para ofrecer una nueva exploración sobre las identidades queer. Guillermo Názara comparte sus reflexiones sobre esta producción, representada previamente en el Festival Vaul en 2019, donde se le concedió el Premio al Espectáculo de la Semana.

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Review of ‘The Play That Goes Wrong’: «A triumphant disaster»

11 miércoles May 2022

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Etiquetas

anya de villiers, ashh blackwood, charlie richards, comedy, duchess theatre, henry lewis, henry shields, jack whittle, jaouhar ben ayed, jonathan sayer, london, mark bell, mikhail sen, mischief, nimax theatres, oliver mott, physical comedy, scott hunter, stuart vincent, the play that goes wrong, tomisin ajani, west end

Since 2014, Mischief’s signature humour has conquered the London scene with its now worldwide acclaimed comedy – much to the horror of its company! After his miraculous survival from such an excrutiating experience, Guillermo Názara shares the details about the show’s newest media night, to let us know if everything went as wrong as desired.

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Crítica de ‘The Play That Goes Wrong’: «Un victorioso desastre»

11 miércoles May 2022

Posted by guillermonazarareverter in Críticas

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Etiquetas

anya de villiers, ashh blackwood, charlie richards, comedy, duchess theatre, henry lewis, henry shields, jack whittle, jaouhar ben ayed, jonathan sayer, london, mark bell, mikhail sen, mischief, nimax theatres, oliver mott, physical comedy, scott hunter, stuart vincent, the play that goes wrong, tomisin ajani, west end

Desde 2014, el humor característico de Mischief ha conquistado la escena londinense con su ya mundialmente aclamada comedia, ¡para horror de su compañía! Tras su milagrosa supervivencia a tan excrutiante experiencia, Guillermo Názara comparte los detalles sobre la nueva noche mediática del espectáculo, para que sepamos si todo salió tan mal como se deseaba.

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Upcoming West End production of ‘My Fair Lady’ releases new rehearsal images

26 martes Abr 2022

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Etiquetas

Amara Okereke, audrey hepburn, bartlett sher, cameron mackintosh, classic musicals, classical, comedy, covent garden, drama, eliza doolittle, Harry Hadden-Paton, henry higgins, i could have danced all night, ive grown accustomed to her face, london, london colliseum, malcolm sinclair, maureen beattie, musical, musical theatre, musicals, My Fair Lady, old musicals, rehearsal, shariff afifi, soho, stephen k amos, theatre, vanessa redgrave, west end

Credit: Johan Persson

The critically acclaimed version directed by Barlett Sher will begin performances next month, taking part at venue’s summer musical tradition and running for a strictly limited season. Starring Harry Hadden-Paton and Amara Okere, this classic show tells the story of a young Cockney flower seller and a linguistic professor’s struggles to transform her into a «proper lady».

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La próxima producción del West End de ‘My Fair Lady’ lanza nuevas imágenes de sus ensayos

26 martes Abr 2022

Posted by guillermonazarareverter in Actualidad

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Etiquetas

Amara Okereke, audrey hepburn, bartlett sher, cameron mackintosh, classic musicals, classical, comedy, covent garden, drama, eliza doolittle, harry hadden paton, Harry Hadden-Paton, henry higgins, i could have danced all night, ive grown accustomed to her face, london, london colliseum, malcolm sinclair, maureen beattie, musical, musical theatre, musicals, My Fair Lady, old musicals, rehearsal, shariff afifi, soho, stephen k amos, theatre, vanessa redgrave, west end

Credit: Johan Persson

La versión aclamada por la crítica y dirigida por Barlett Sher comenzará a representarse el mes que viene, formando parte de la tradición musical veraniega de la sala y durante una temporada estrictamente limitada. Protagonizado por Harry Hadden-Paton y Amara Okere, este espectáculo clásico cuenta la historia de una joven vendedora de flores de Cockney y la lucha de un profesor de lingüística por transformarla en una «señorita».

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Review of ‘& Juliet’: «A musical inner quest»

20 miércoles Abr 2022

Posted by guillermonazarareverter in English contents

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Etiquetas

and juliet, anne hathaway, bon jovi, britney spears, comedy, drama, juliet, julius d'silva, keala settle, lgbt, london, love, max martin, miriam teak lee, paris, pop, pop anthems, romantic comedy, romeo and juliet, shakespeare, Tom Francis, verona, west end, william shakespeare

Credit: Johan Persson /

The two lovers of Verona are about to lose their titles, thanks to the mess that Shakespeare’s wife is about to make! Don’t worry – you may as well like it, as so thousands of viewers in the West End already have. Now, with a new cast of supporting actors, Guillermo Názara has ventured into the Shaftesbury Theatre to let us know everything about the musical that opens when they didn’t die happily ever after.

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Review of ‘Come From Away’: «It’s all about the theatre»

05 martes Abr 2022

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Etiquetas

9/11, alice fearn, broadway, canada, charing cross, come from away, comedy, drama, harry morrison, James Doherty, Jenna Boyd, Jonathan Andrew Hume, leicester square, london, Mark Dugdale, newfinese, newfoundland, pop, ricardo castro, rock, rock musical, sam oladeine, september attacks, the land, the rock, theatreland, tim horton, tottenham court, twin towers, west end

In an unknown town somewhere in Canada, the locals face the heroic task of hosting foreign air passengers on the dawn of the day that changed not only America but the entire world’s History. Guillermo Názara reviews below the London production of Come From Away, to share his thoughts and vision about one of the musicals that for years has literally become the talk of the town.

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