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  • Review of ‘The Glass Menagerie’: “The unmatching pieces of a working puzzle”

    Review of ‘The Glass Menagerie’: “The unmatching pieces of a working puzzle”

    Tennessee Williams’ groundbreaking story about the pain and sorrow of a dysfunctional family relives through this new West End production – playing for a strictly limited season until the end of the month. Guillermo Názara reviews this one-of-a-kind version starring 6-time Academy Award nominated Amy Adams, where the fragility of its characters is also the […]

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    9 August, 2022
    English contents, Reviews
    american play, american southwest, comedy, edward k gibbon, jeremy herrin, liie annies, nick powell, paul hilton, second half productions, southern, tennessee williams, the glass menagerie, tom glynn carney, vicki mortimer, west end
  • Review of ‘Tom, Dick and Harry’: “The escape is useless”

    Review of ‘Tom, Dick and Harry’: “The escape is useless”

    This summer, the true story about a group of caged pilots struggling to break free from the grips of Nazism comes to life in one of London’s most captivating venues. Upon his attendance to its opening week, Guillermo Názara reviews this semi-musical interactive show about one of the greatest escape missions in recent history.

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    8 August, 2022
    English contents, Reviews
    alex day, alexandra palace, andrew pollard, andrius gaucas, comedy, david fairs, dominic thorburn, drama, eddy westbury, escape, espionage, historical, james atherton, joshua lyster, laura willstead, lis evans, michael hugo, nazis, nazism, nicholas richardson, perry moore, sam craig, Six The Musical, spy, the play that goes wrong, theresa heskins, tom dick and harry, tom hardman, world war history, world war ii
  • Review of ‘The Lion, the Witch and the Wardrobe’: “Magic beyond the stage”

    Review of ‘The Lion, the Witch and the Wardrobe’: “Magic beyond the stage”

    The timeless fantasy tale returns to the theatre in a brand new production after touring around the UK. Upon attending the opening night, Guillermo Názara shares his impressions on this version of Lewis’ classic, to let us know what is awaiting between the lamp-post and the great castle of Cair Paravel.

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    4 August, 2022
    English contents, Reviews
    ammar duffus, ashlee irish, aslan, chris jared, covent garden, cs lewis, delaney hayles, elliott and harper, family entertainment, fantasy, jasmin colangelo, julian hoult, london, michael fentman, musical, myla carmen, Narnia, oliver grant, rachel dawson, samantha womack, scott brooks, the lion the witch and the wardrobe, the white witch, west end
  • Review of ‘L’incoronazione di Poppea’: “Dark seduction”

    Review of ‘L’incoronazione di Poppea’: “Dark seduction”

    Last week, the Arcola Theatre inaugurated its summer opera festival with a new take on one of the very first classics in all of the genre’s history. Guillermo Názara tells us about his experience at the opening night of this reinvisioned production by the Ensemble OrQuesta, where tradition and avant-garde meet in a epic tale […]

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    3 August, 2022
    English contents, Reviews
    arcola theatre, baroque, baroque music, blackbox theatre, comedy, countertenor, dalston, drama, east london, grimeborn festival, l'incoronazione di poppea, london, monteverdi, neron, opera, opera festival, poppea
  • Review of ‘Mad House’: “The sanity of the insane”

    Review of ‘Mad House’: “The sanity of the insane”

    David Harbour and Bill Pullman star in Theresa Rebeck’s first West End original, which explores the faults and flaws of a dysfunctional all-grown-up American family. After his attendance to the press night, Guillermo Názara tells us about one of London’s most anticipated plays of the summer, to let us know what’s awaiting behind the walls […]

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    5 July, 2022
    English contents, Reviews
    akiya henry, ambassadors theatre, ambassadors theatre group, american midwest, bill pullman, broadway, charlie oscar, comedy, david harbour, drama, efe agwele, frankie bradshaw, hanako footman, john vernon, mad house, mental illness, moritz von stuelpnagel, sarah mosss, scott sparrow, sinead matthews, stephen wight, theresa rebeck, tilly grimes, west end
  • Review of ‘Lea Salonga – Dream Again’: Too much for one heart

    Review of ‘Lea Salonga –  Dream Again’: Too much for one heart

    In the middle of her first national tour since the closure of theatres, worlwide musical theatre icon Lea Salonga stopped by London’s Royal Albert Hall this week, raising the hopes and granting the wishes of a passionate beloving audience. Guillermo Názara reviews this one-in-a-lifetime event, to tell us about the experience that has marked a […]

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    3 July, 2022
    Reviews
    a whole new world, alan menken, broadway, david zippel, dream again, i dreamed the dream, i'd give my life for you, into the woods, lea salonga, lea salonga tour, les miserables, les miz, lin manuel miranda, miss saigon, mohana, mulan, on my own, orchestra, philippines, reflection, royal albert hall, Six The Musical, stephen schwartz, stephen sondheim, theatre royal drury lane, uk tour, west end
  • Review of ‘Witness for the Prosecution’: “Ad-d valorem”

    Agatha Christie’s worldly acclaimed play has returned to the West End in a new reimagined version taking the live experience to a whole next level. Guillermo Názara testifies after his arresting involvement at the London County Hall, where the trial took place on a alledgedly hianous muderer – but also on his abilities to solve […]

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    6 June, 2022
    Reviews
    agatha christie, Andrew Hollingworth, death penalty, Donnavan Yates, drama, immersive theatre, James Alper, james hayes, Jonathan Brenner, joshua glenister, justice, lauren oneil, law, lily blunsom, london county hall, Mandi Symonds, marlene dietrich, Matt Weyland, mystery, Naomi Taylor, Nick Hardie, Owen Oakeshott, Peter Landi, Richard Teverson, Simon Butteriss, theatre, thriller, Vicki Davids, whodunnit, William Donaldson, witness for the prosecution
  • Review of ‘2:22’: “The haunting, haunted kind”

    From the Noel Coward to the Gielgud, and now staying at the very hub of London’s hustle and bustle at the Criterion Theatre, 2:22 continues to spook audiences after two seasons of immortal success. Guillermo Názara jumps into the other side to reveal what’s waiting in the land of the unknown – currently ruled by […]

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    1 June, 2022
    Reviews
    222, a ghost story, anna fleischle, beatirz romilly, charlie parsons, cindy lin, danny robins, drama, ghost stories, hamlet, horror, ian dickinson, isobel david, johnny depp, leon williams, mandip gill, matthew dunster, nine night, phantom, phantom of the opera, pirates of the caribbean, ruanway entertainment, sam swainsbury, skeptical, skepticism, sophia hannides, spiritism, the turn of the screw, the woman in black, tom felton, tristan baker
  • Review of ‘Juniper and Jules’: “A familiar story”

    For a strictly limited two-week run, this new play has been staying at the heart of London’s Soho to offer a new exploration on queer identities. Guillermo Názara shares his thoughts about this production, previously performed at the Vaul Festival in 2019, where it was granted the Show of the Week Award.

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    18 May, 2022
    Reviews
    blackbox theatre, comedy, drama, gay, juniper and jules, lgbt, soho, soho theatre, west end
  • Review of ‘Les Misérables’: “There’s still a tomorrow to be sung”

    The longest-running musical in West End’s history continues to invite audiences from all over the world to join the barricades. Guillermo Názara tells us about his experience watching the new production of Boublil and Schoenberg’s internationally renowned masterpiece, to let us know if the dream can still be dreamed.

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    14 May, 2022
    Reviews
    alain boublil, bring him home, cameron mackintosh, cosette, do you hear the people sing, drama, eponine, fantine, i dreamed the dream, javert, jean valjean, john caird, lawrence connor, les mis, les miserables, les miz, london, musical, musical theatre, musicals, on my own, paris, red and black, sondheim theatre, trevor nunn, victor hugo, west end
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